Watercolor 29 X 39, back in its original frame 38 X 49 cm green and gold with a glass “museum” by transparent cleats,
If Redouté was the greatest watercolorist of flowers of the first half of the 19th century, Blanche Odin is the greatest of the first half of the 20th century. If, of course, it is her roses that have assured so well deserved her reputation, she excelled in representations of all kinds of flowers as can be seen in the excellent works of Monique Pujo-Monfran or visiting the museum Salies de Bagneres de Bigorre.
Here, the artist seduces us by offering us this bouquet of red anemones, this flower which is beautiful from the button to the faded, arranged in a green ceramic vase. The back gives us a lot of information by the labels that are stuck: from the hand of Artist One informs us that it was destined for the exhibition of Saint-Etienne and gives the address of the Vieux-Colombier where Blanche had a workshop for a long time, as well as that of Robinot, the packer of the Beaux-Arts while than that of the CH framer. HONEL tells us he sells old style frames !
Certificate of authenticity by Monique Pujo-Monfran, expert of the Artist.
Do not hesitate to ask for photos or additional information by mail or phone.
The Black Virgin
Raymond Dierickx sold 1904 – 1978 Work on paper, gouache and pastels, dimensions 55 x 73 cms, signed top right. It was for us a real
Raymond Dierickx 1904 – 1978 Work on paper, gouache, dimensions 73 x 99 cms, signed lower left. It was for us a real discovery that this
Allegory of America
Raymond Dierickx 1904 – 1978 Work on paper, gouache and pastels, dimensions 73 x 110 cms, signed lower right. It was for us a real
Allegory of Asia
Raymond Dierickx 1904-1978 Work on paper, gouache and pastels, dimensions 73 x 110 cms, signed lower right. It was for us a real discovery that
The Rhune in autumn
Jean-louis Paguenaud 1876-1952 Oil on cardboard 32 X 49 cm mounted in a gilded frame with fluted 41 X 59 cm. Circa 1930. In 1898, he followed the
“Unreading Signature Oil on canvas 58.5 X 80.3 cm, circa 1880/90. Very heavy ! When I acquired this strange painting, I still remember the
Belgian School Oil on canvas 61 X 50 cm, mounted in a frame with inverted slope 78 X 67 cm. Circa 1930/50. Those who follow me may remember:
Mule track in Old Castilla
Gustave Colin 1828-1910 Dated 1895, oil on panel 26 X 35 cm, mounted in a beautiful frame of wood and gilded stucco 42 X 50 cm. Annotation of the
The women’s table
Mauro Corda né en 1960 “La tablée des femmes”, drawing in gray and red wash over feather strokes on 60 X 78 cm paper mounted in a
The falled warrior
19th century Oil on canvas of great quality, it is also served by its exceptional dimensions : 97 X 130 cm Thanks to the scholarship of two