Antonio Uria Monzon
Oil on panel 120 X 80.5 cm, mounted in a beautiful modern black and gold frame with reverse slope 137 X 97.5 cm.
Everything we love about Uria Monzon, is found in this work: the opposition of colors to the strength of the line and the subject, two roosters, one white and one black, fighting for a hen in the farmyard, allegory of the confrontation of Good and Evil in a whirlwind of light and movement particularly highlighted by the background from which the white rooster seems to spring up.
The Spanish Artist exiled first in Paris then alternately in Ciboure and Agen (his wife’s hometown) developed a very personal universe, nourished by reworked and perfectly assimilated influences such as Goya and Picasso.
If part of his work consisted in making hyperrealistic portraits, especially of children, a whole part is devoted to his other passion: bullfighting, mainly focused on movement masterfully rendered in watercolor or oil.
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In partnership with the Galerie Lafouresse, we are specialists in paintings on the Basque Country, the Landes and the Arcachon Basin.
Paris under the snow in 1908
P. Bonis-Charancle Oil on re-used cardboard 70 X 42 cm, mounted in a molded oak frame 78 X 50 cm. Signed, located and dated 08 for 1908. Even if
Renée Hanin Oil on thin cardboard 75.5 X 47 cm, held by cardboard in a modern black frame with Africanist motifs 79 X 50 cm. Circa 1930.
Ermanno Besozzi 1912 – 1986 Oil on canvas 70 X 80 cm. Born in Sesto Calende in Lombardy, he worked a lot in the nearby city of Milan, but
Blanche Odin 1865 – 1957 Watercolor, diameter 26 cm, mounted in its original gilded frame, a little broken, diameter 31 cm. If Redouté was
Trawlers in the harbor
Gisèle Ferrandier 1909 – 1990 Oil on canvas recto-verso 65 X 81 cm, mounted in an inverted brown and gold frame 80 X 95 cm a little rugged.
Blanche Odin 1865 – 1957 Watercolor, diameter 26 cm, mounted in its original gilded frame, diameter 31 cm. If Redouté was the greatest
The handsome guy
Jacques Burel 1922 – 2000 Oil on canvas 55 X 38 cm, signed and dated 8 51 (for August 1951), mounted in a flocked frame of the time 70 X 54
Scenography for the Casa de Bernarda Alba
Victorina Duran Cebrian 1899 – 1993 Thirteen paintings for the scenography of “La Casa de Bernarda Alba” by Federico Garcia
Young Berber with tajine
René Martin 1891 – 1977 Pastel 65 X 50 cm, mounted in a “package” by spinners in its molded and patinated wooden frame 72 X 57 cm. The
Mum and girl in the living room
Henri Caro-Delvaille 1876-1928 Oil on canvas 73 X 61 cm, mounted in a large gilt frame “with ears” 85 X 95 cm. There are anecdotes that cannot be