Oil on thin cardboard 75.5 X 47 cm, held by cardboard in a modern black frame with Africanist motifs 79 X 50 cm. Circa 1930. Definitely, I am the specialist of painters who do not exist! There is indeed ONE René Hanin who alternated views of Brittany and those of Algeria, but it has nothing to do with both the style and the spelling of the signature. Simple disambiguation or perhaps a wife’s name? Still, this superb painting makes you want to see others: this beautiful Tuareg or Targuie woman, camped low in front of a whitewashed wall, bracelets at the ankles and wide dress-coat releasing the arms, in its stylization is worthy of the best paintings of a Léon Cauvy, a Pontoy or an Eddy-Legrand, while being imbued with intelligence and a feminine sensitivity … Do not hesitate to ask us for photos or additional information by email or phone.
Max Jacob in an armchair
Pablo Picasso MAX JACOB IN THE ARMCHAIR 1916 1881 – 1973 Facsimile print on very thin and fragile paper 37.5 X 27.5 cm, in two tones,
Art Nouveau portrait 1919
Alice Guinepied 1880 – 1949 “Young woman with headband” oil on canvas 50 X 61 cm, signed and dated 1919, mounted in a period
The marsch at the Cap Ferret
René Beauclair, Ludovic Popineau dit 1877 – 1960 Oil on panel 32.5 X 41 cm, freshly cleaned and varnished, presented in a gilded frame 46.5
Self portrait in the workshop/Nativity in the circus
Raymond Dierickx 1904 – 1978 double-sided mixed technique on paper 95 X 100 cm presented under neutral pH mat 100 X 120 cm. A man in a
Paris under the snow in 1908
P. Bonis-Charancle Oil on re-used cardboard 70 X 42 cm, mounted in a molded oak frame 78 X 50 cm. Signed, located and dated 08 for 1908. Even if
Renée Hanin Oil on thin cardboard 75.5 X 47 cm, held by cardboard in a modern black frame with Africanist motifs 79 X 50 cm. Circa 1930.
Ermanno Besozzi 1912 – 1986 Oil on canvas 70 X 80 cm. Born in Sesto Calende in Lombardy, he worked a lot in the nearby city of Milan, but
Trawlers in the harbor
Gisèle Ferrandier 1909 – 1990 Oil on canvas recto-verso 65 X 81 cm, mounted in an inverted brown and gold frame 80 X 95 cm a little rugged.
sailor’s Wife, woman of sorrow
René de Pauw 1887 – 1946 Oil on panel 110 X 100 cm, mounted in a flocked frame with golden patina 125 X 114 cm, signed and located Heist
Antonio Uria Monzon 1929-1996 Oil on panel 120 X 80.5 cm, mounted in a beautiful modern black and gold frame with reverse slope 137 X 97.5 cm.