Rayond Trameau 1897-1985 Mixed technique on black painted chipboard 41 X 39 cm, combining enamels on copper, yellow copper and chiseled red copper edged with tin. A protean artist, Trameau was also a painter, sculptor, ceramist and also one of the best enamellers of his time, figurative with a cubist tendency in his early days,
Alice Guinepied 1880 – 1949 “Young woman with headband” oil on canvas 50 X 61 cm, signed and dated 1919, mounted in a period frame 62 X 72 cm. Eldest sister of Hélène (1883-1937), they were both eminent representatives of Art-Nouveau. The cleaning revealed the delicacy of the colors and made the upholstery at the
Adrien Henri Gillot Oil on canvas board 22 X 27 cm, signed, located and dated 1926, mounted in a gilt Regency style frame 38 X 43 cm. Painter and professor of drawing at the Beaux-Arts de Paris who was in Paris a pupil of Léon Bonnat and Luc-Olivier Merson and who, before joining Morocco which
Raymond Dierickx 1904 – 1978 double-sided mixed technique on paper 95 X 100 cm presented under neutral pH mat 100 X 120 cm. A man in a shirt, probably a self-portrait, looks at a sheet at the window in front of which a procession passes. Verso: At the circus which camps on the place of
P. Bonis-Charancle Oil on re-used cardboard 70 X 42 cm, mounted in a molded oak frame 78 X 50 cm. Signed, located and dated 08 for 1908. Even if it is not to everyone’s taste, I very much appreciate these paintings where the Artist paints by touches revealing the background which contrasts with the opening,
René de Pauw 1887 – 1946 Oil on panel 110 X 100 cm, mounted in a flocked frame with golden patina 125 X 114 cm, signed and located Heist (for Heist-sur- sea, near Knokke), countersigned and located again on the back which also bears a label overprinted with a stamp from the Spring Show of
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Achille Fouquier 1817-1895? “Study of a bearded man (self-portrait?)” Pencil drawing enhanced with white stone on beige paper, 45 X 30 cm at sight, signed with the stamp of the signature circa 1853, framed by ‘a stained Marie-Louise 65 X 50 cm. This drawing, which shows us a man dressed in the oriental style, in
French school circa 1820 Watercolor on vellum 39 X 51 cm stretched by the edges on a thick cardboard 45 X 55 cm mounted nailed in a restoration period frame with very beautiful gilding a little rough 47 X 61 cm. If the medium, vellum in the proper sense, in other words tanned and thinned
J. Willems Belgian school circa 1930. Oil on canvas mounted on panel 61 X 50 cm, mounted in a beautiful exotic wood frame adorned with silver rods 73 X 63 cm. A small accident on the left shoulder deserves cleaning. This portrait full of nobility of a man proudly wearing traditional dress and especially this
