French school 19th “Landscape at the factory” French school circa 1820/30, oil on canvas 24.5 X 33 cm, mounted by a Marie-Louise in a somewhat hilly restoration frame 38 X 46 cm. “In its original condition”, the work has been cut and folded on the right and upper sides, and presents old restorations This landscape,
Achille Fouquier 1817 – 1895 Pencil drawing heightened with watercolor 11 X 18 cm approximately, signed with the monogram and dated May 27, 1853, framed by a Marie-Louise surrounded by a line 25, 5 X 34 cm. This drawing shows us figures dressed in the oriental style resting under the trees on the banks of
André Beaudin 1895-1979 Colored pencils 20 X 26 cm, signed with the stamp of the workshop and dated November 23, 1949, mounted by a bevelled Marie-Louise in a light wood frame 32 X 38 cm. Some interlayers dirt. When I saw this drawing at a well-known antique dealer in the Place de Pau, how many
Gotthar Adolf Werner 1837 – 1903 Oil on canvas 75 X 125 cm mounted in a carved and gilded wooden frame 90 X 138 cm (wear and tear and gilding). Very beautiful restoration due to the Lafouresse workshop, signed and dated 1883 on the back. This large painting is not only powerfully decorative, it is
Mauro Corda né en 1960 “La tablée des femmes”, drawing in gray and red wash over feather strokes on 60 X 78 cm paper mounted in a sober wooden frame that suits him 63 X 82 cm. Signed Corda and dated 1981. Maintained at the back by a plywood board which is crumpled and of
Egerton Wood 1926- Here, this oil on canvas 35 X 46 cm, dated 1973, is mounted in a wooden frame 52 X 62 cm. It is amusing to note that when an artist group works in a given place, they influence each other by immersing themselves in the place, forming what Art History calls “School
Alfredo Ramos Martinez 1871 – 1946 Pastel 71 X 54 cm, reassembled in “sandwich” with extensions and cardboard neutral pH by spinettes in its original frame (Maïtena restoration in Hasparren) 94 X 75 cm. I know, there is something to be surprised for the signature and that one looks at what it corresponds … And
Charles-Hippolyte Cassas 1800-? An ogival format measuring 36 cm high by 50 cm base, is signed and dated 1850 and is mounted in a beaded frame 44 X 57 cm restored at the top. Charles-Hippolyte Cassas was born in 1800 in Paris where he came in Beaux-Arts in his fourteenth year as pupil of Gros
Rodolphe Caillaux 1904-1989 Oil on canvas 92 x 65 cm in a beautiful oak frame 100 X 72 cm. With the LAFOURESSE Gallery, we promote Rodolphe CAILLAUX for a long time … He worked between his two workshops of Ciboure and La Grande Chaumière in Paris, but he also lived in Pau where he painted
Vanhems Gouache on paper 31 X 23.7 cm, unframed, small rednesses and pinholes of fixation on the board of the easel, signed Vanhems, who I know nothing about. Obviously, when it’s unframed, it’s easier to forget them in a drawing board or between the pages of a big book! I just found this work and
