Blanche Odin 1865 – 1957 Watercolor 26 X 32 cm presented in its period red, green and gold frame, “museum” glass and neutral pH mounting with cleats 35 X 41cm. A label from L. Locré, Toulouse and Luchon antique jewelry store on the back. If Redouté was the greatest watercolourist of flowers of the first
Alexandre François Bonnardel 1867 – 1942 Oil on canvas 27 X 41 cm, mounted in a gilded frame (which reframes by hiding a good part of the canvas) older 38 X 48 cm (accidents) . Several small accidents to the canvas (see photo against the light). The artist reframed his painting more tightly around the
Pablo Picasso MAX JACOB IN THE ARMCHAIR 1916 1881 – 1973 Facsimile print on very thin and fragile paper 37.5 X 27.5 cm, in two tones, gray-green for Picasso’s drawing and black for Max Jacob’s handwritten poem “The Archangel struck down”, “museum” mounting in a Florentine Baroque frame in carved and gilded wood 51 X
Alice Guinepied 1880 – 1949 “Young woman with headband” oil on canvas 50 X 61 cm, signed and dated 1919, mounted in a period frame 62 X 72 cm. Eldest sister of Hélène (1883-1937), they were both eminent representatives of Art-Nouveau. The cleaning revealed the delicacy of the colors and made the upholstery at the
Adrien Henri Gillot Oil on canvas board 22 X 27 cm, signed, located and dated 1926, mounted in a gilt Regency style frame 38 X 43 cm. Painter and professor of drawing at the Beaux-Arts de Paris who was in Paris a pupil of Léon Bonnat and Luc-Olivier Merson and who, before joining Morocco which
Raymond Dierickx 1904 – 1978 double-sided mixed technique on paper 95 X 100 cm presented under neutral pH mat 100 X 120 cm. A man in a shirt, probably a self-portrait, looks at a sheet at the window in front of which a procession passes. Verso: At the circus which camps on the place of
P. Bonis-Charancle Oil on re-used cardboard 70 X 42 cm, mounted in a molded oak frame 78 X 50 cm. Signed, located and dated 08 for 1908. Even if it is not to everyone’s taste, I very much appreciate these paintings where the Artist paints by touches revealing the background which contrasts with the opening,
René de Pauw 1887 – 1946 Oil on panel 110 X 100 cm, mounted in a flocked frame with golden patina 125 X 114 cm, signed and located Heist (for Heist-sur- sea, near Knokke), countersigned and located again on the back which also bears a label overprinted with a stamp from the Spring Show of
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Achille Fouquier 1817-1895? “Study of a bearded man (self-portrait?)” Pencil drawing enhanced with white stone on beige paper, 45 X 30 cm at sight, signed with the stamp of the signature circa 1853, framed by ‘a stained Marie-Louise 65 X 50 cm. This drawing, which shows us a man dressed in the oriental style, in
