Antonio Uria Monzon
Mixed techniques using pencil, ink and pastel measure about 35 X 27 cm and were mounted in modern Dutch style frames 53 X 45 cm with “museum” glasses anti reflections.
Antonio Uria Monzon, a Spanish artist who was first exiled in Paris and then alternated with Ciboure and Agen (his wife’s hometown), developed a very personal universe, with influences reshaped and perfectly assimilated such as Goya and Picasso. If a part of his work consisted of making hyperrealistic portraits, especially of children, a whole part is his other passion: bullfighting, mainly focused on the movement masterfully maked in watercolor or oil. Here we have another facet of his work, a kind of poetic surrealism that he developed in parallel with the 60s at his death. See also our “Erection des croix” In partnership with Galerie Lafouresse, we are specialists in paintings on the Basque Country, the Landes and the Bassin d’Arcachon.
Max Jacob in an armchair
Pablo Picasso MAX JACOB IN THE ARMCHAIR 1916 1881 – 1973 Facsimile print on very thin and fragile paper 37.5 X 27.5 cm, in two tones,
Art Nouveau portrait 1919
Alice Guinepied 1880 – 1949 “Young woman with headband” oil on canvas 50 X 61 cm, signed and dated 1919, mounted in a period
The marsch at the Cap Ferret
René Beauclair, Ludovic Popineau dit 1877 – 1960 Oil on panel 32.5 X 41 cm, freshly cleaned and varnished, presented in a gilded frame 46.5
Self portrait in the workshop/Nativity in the circus
Raymond Dierickx 1904 – 1978 double-sided mixed technique on paper 95 X 100 cm presented under neutral pH mat 100 X 120 cm. A man in a
Paris under the snow in 1908
P. Bonis-Charancle Oil on re-used cardboard 70 X 42 cm, mounted in a molded oak frame 78 X 50 cm. Signed, located and dated 08 for 1908. Even if
Renée Hanin Oil on thin cardboard 75.5 X 47 cm, held by cardboard in a modern black frame with Africanist motifs 79 X 50 cm. Circa 1930.
Ermanno Besozzi 1912 – 1986 Oil on canvas 70 X 80 cm. Born in Sesto Calende in Lombardy, he worked a lot in the nearby city of Milan, but
Putto playing harp
Pierre Victor Galland 1822 – 1892 Drawing 23 X 29 cm in red chalk heightened with pastel, slightly squared in white stone, named in a
Trawlers in the harbor
Gisèle Ferrandier 1909 – 1990 Oil on canvas recto-verso 65 X 81 cm, mounted in an inverted brown and gold frame 80 X 95 cm a little rugged.
Bouquet of various anemones
Blanche Odin 1865 – 1957 Watercolor 10 X 14 cm, mounted in its original frame, a little damaged with the gilding 11 X 15 cm, inscriptions