Sylvain Vigny 1903-1970 Oil on canvas 50X61cm, signed lower left and dedicated to the back in a gilt frame more modern marie-louise with canvas 57 X68 cm. Sylvain Vigny, was a self-taught artist born in Austria, who lived in Vienna and Paris before settling in Nice where he remained until the end of his life
J. Anoll Oil on canvas 61 X 50 cm in a beautiful frame with reversed slope 84 X 72 cm sheet spent silver, unfortunately very damaged. San Pedro de Vilamajor (currently in Catalan: Sant Pere de Vilamajor) is a charming town in Catalonia. She is represented here around 1925/1930 by a painter on whom I
Large drawing end 18th century A sheet of laid paper 30.9 X 22.5 at the sight, stretched by the edges by a marie-louise with golden net on a cardboard 48 X 37 cm with label of framer (certainly posterior) This beautiful neoclassical drawing dates from the late eighteenth or early nineteenth. The powerful technique of
French school end 19th century Cardboard 6.6X5.3 cm, frame 10.5 x 8.2 cm. Superb impressionist portrait which I acquired twenty years ago, and which Mr. François Daulte told me at the time that, although delightful, it was not Renoir … Treated with small delicate touches that seem to be composed of pure light. To have
Nicolas Wacker Kiev1897-Paris1987 Oil on canvas recto-verso 41 X 27 cm, with a small accident of one cm on the right, presented in a beautiful green and gold frame 1920 47 X 34 cm. Nicolas WACKER emigrated first to Berlin before arriving in Paris in 1926. Pupil then massier of Bissière who became the friend
Fontaine 20th century Oil on canvas 61 X 50 cm with a Parnassian frame with reversed slope 81 X 70 cm What exoticism, what strangeness in this beautiful portrait of a “Blue Man”. Seated in the desert, in a nonchalant attitude of rest, it is easy to understand why they are nicknamed “Lords of the
French school 1805-1810 Oil on paper, mounted on canvas on a frame 26 X 13 cm later and framed by a beautiful golden rod a little rugged 36 X 23 cm. This beautiful painting is almost enigmatic: this very elongated treatment of the dress seen from behind, the very tall figure, the intriguing face, all
Bonhomme Oil on canvas 73 X 60 cm approximately, not restored, beautiful frame gilded / silver 91 X 78 cm unfortunately rugged. Painted I think in the thirties, this view of Béziers in large format, have a signature BONHOMME, preceded by a little initial unreadable: O, Q, G? I did not find a corresponding listed
French school 19th century Oil on canvas, unsigned, measures 41 x 33 cm, old frame. This beautiful painting with delicate pastel colors is characteristic of the neoclassical movement. Even if the attributes are those of Diana the huntress, the composition with the boat moving away to the setting sun, the tears, it directs us rather
Ignacy Hirschfang 1895 – 1943 Oin on panel 54X65, 70X81 to the frame. The works in Hirschfang oil (which some spell Hirszfang) are rare, the Artist, Polish Jew died prematurely in deportation, having devoted himself more to watercolor, but if we find his style so particular because it is so exacerbated … Under an apparent
